THE VISION

“The Visions of the Interval”
116 x 81 cm
Acrylic and enamel on canvas
2018

The observer is permanently there. In terms of theatre design, contemplating the work from the position of the observer puts us above the plane of the subject and displaced from him or her. This is a courtesy (of the viewer) to achieve a false reading of the whole subject from the foreground to the horizon. A true reading, with a chance of not being subjectivised in the least, happens when the essence of the landscape is achieved, beyond shapes, senses and interpretation.

A courtesy too for placing us in the mirror of reality, showing a subject always in movement, temporality and change. From the same observation point, we also accept our apparent partiality and theatricality, contemplating allegories of myth, airs of mysticism and diverse horizons. As many truths as there are minds.

The masters instructing it use the gradual method, creating trajectories, suggestions, and atmospheres of knowledge vs. ignorance. From darkness to light.

“La visió”
116 x 81 cm
Acrylic, ink and enamel on canvas
2018

“The Gaze of the Bird Crane”
92 x 60 cm
Acrylic, ink and enamel on canvas
2018

“Cima”
160 x 80 cm
Acrylic, ink and enamel on canvas
2018

«Niralamba_el Dorado»
116 x 81 cm
Acrílic i esmalt sobre tela
2018

«Horizon in battle»
92 x 60 cm
Acrílic i esmalt sobre tela
2018

“The land of the golden cloud”
200 x 108 cm
Ink, acrilyc and enamel on canvas
2019

«La bocana» (The estuary of the confines)
160 x 80 cm
Acrílic, tinta i esmalt sobre tela
2018

«El mite»
130 x 89 cm
Acrílic i esmalt sobre tela
2018

«Sthala rahasya»
125 x 60 cm
Acrílic i esmalt sobre tela
2018

«Soon_el Dorado»
116 x 89 cm
Acrílic i esmalt sobre tela
2018

«Pastime on the bottom line»
130 x 80 cm
Acrílic i esmalt sobre tela
2018

«Beyond Helvétius»
200 x 180 cm
Acrilyc and enamel on canvas
2018

The horizon used to be seen as a limit evoking those of man and, at the same time, the secret possibility of going beyond them. The horizon is that unreal place we never reach: a convention in space and time that coexists absolutely normally with us even though it is intangible. Assumed metaphysics.

On old maps, mountain ranges and rivers define natural geopolitical limits – natural boundaries. Palpable political horizons so beloved of reason. Thought – the mind – has its own mountain ranges and rivers, which delimit with silence. What is there between thought and thought?

“Disidentification with the Twister in the Line”
120 x 108 cm
Acrylic, graphite and enamel on canvas
2018

“Rain on the Line”
140 x 100 cm
Acrylic and enamel on canvas
2018

“Nameless”
100 x 71 cm
Ink and enamel on paper
2018

“Interval IV”
40 x 30 cm
Ink on paper
2018

“Interval II”
36 x 26 cm
Ink on paper
2018

“Interval III”
40 x 30 cm
Ink on paper
2018

“Interval I”
36 x 26 cm
Ink on paper
2018

Drawing
21 x 30 cm
Graphite and ink on paper
2018

Drawing
21 x 30 cm
Graphite and ink on paper
2018

Drawing
21 x 30 cm
Graphite and ink on paper
2018

“The Cradle of the Mother”
280 x 108 cm
Acrylic and enamel on canvas
2017

Who hasn’t stared at the infinite so long that they cease to “see” it, seized by a state in which thoughts are dissipated? Entering into the vertigo of the horizon – into infinity – opening up a kaleidoscope of horizons. The range of diversity of apparent limits dissipated into a single abstraction, from the outside in.

Every horizon maintains its dualities while leading you on, beyond them. Because a horizon is not just the line of the summit or the sea bed; it is not the slight curvature of the earth. The horizon is not just where the sky and the earth, thoughts and silence, or the limit and the beyond meet. The horizon is in everyone’s deepest heart.

“Vértigo”
146 x 97 cm
Acrylic and enamel on canvas
2017

“Serralada del Silenci_el Dorado”
146 x 89 cm
Acrylic and enamel on canvas
2018

“La mort del cowboy_el Dorado”
130 x 88 cm
Acrylic and enamel on canvas
2018

“Els secrets del bol de l’aigua II”
46 x 27 cm
Acrylic, pigment and enamel on canvas
2018